Darby made mistakes in all the relationships she was in, and the fact that her love life is not like a fairytale made this an honest, real, gritty representation of a young woman’s experiences with men as she grows up and matures. I thought there were some really comedic parts of this show, as Darby matures and changes throughout her life. I liked seeing how Sara matured and went through life, struggling to find herself as she becomes an adult. Her dysfunctional friends, Sara and Jim, were interesting characters. I also liked the myriad of other characters in Darby’s life. I loved getting a snapshot into the various men in Darby’s life as she struggled to find “the one”.Īnd the men were fantastic characters in themselves, some of them mean and some of them romantic, but all of them helping Darby realise who she is, what she needs, and who she really wants to be with. Darby experienced heartbreak, casual relationships, and divorce as she went through the loves of her life.
ANNA KENDRICK NETFLIX LOVE LIFE SERIES
I thought Anna Kendrick played the character of Darby brilliantly, and I think it was a very honest portrayal of modern relationships– the ups, the downs, and the unexpected events that happen in life. The HBO Max original series Love Life was one one of the most popular shows on the platform at its launch in 2020, and the quirky romantic comedy about Anna Kendrick’s Darby Carter finding love. Because while the production design of the ship, sleekly explored with a number of impressively extended shots, might impress, the exterior action is not quite as stellar, and although Stowaway does end on a theoretically brave note, it’s also a regrettably abrupt one.I really enjoyed this show. Trying to sustain this tension for almost two hours proves an impossible task, and while there are still seat-edge moments from the big set piece that closes the film out, it’s just a bit too conventional in how it plays out and draws an immediate and ultimately damning comparison to Gravity. The focus on the job at hand works until it doesn’t as with just the slightest of characterisation, we’re invested in the problem rather than those solving it and the grip of the first two acts loosens as the finale beckons. The final four episodes of Season 1 became available on HBO Max on Thursday. There’s rarely a moment for levity, despite us being told that Kendrick is playing “in-flight entertainment”, and a refreshingly small amount of backstory gap-filling monologues. HBO Max has renewed its first original scripted series, Love Life, for a second season.
The other crew members are solid, particularly Anderson who has arguably the hardest role to play, forced in an effectively dour moment to consider a drastic sacrifice.
ANNA KENDRICK NETFLIX LOVE LIFE TV
For a star so recognisable, she’s always excelled the most at portraying the grind of the everyday, of unglamorous hard work and often unrewarded emotional labour and she’s so good in this particular iteration of that type that one wants even more of her, as if her character might spin off into a TV series filled with similarly knotty situations for her to think a way out of. Actress Anna Kendrick just showed up to the ‘Love Life’ season 2 premiere in the most incredible pink satin mini dress. It’s a setting that works well for Collette especially, easily emerging as the film’s MVP, allowed for once to use her Australian accent, persuasively beleaguered as the commander wrestling with her conscience and the ramifications of what might happen. This concerted effort to ground what’s taking place up in the sky makes it all that much more involving, a feeling that nothing is being sacrificed for the sake of storytelling, no patronising over-explanation, just the realities of an agonising scenario, unfolding at a steady pace. Can Kim’s biologist find a way to make his algae produce enough oxygen? Can Collette’s commander work with on-the-ground support to find the science to save them? Can Kendrick’s medical researcher convince them that a death-defying mission might be worth the risk? It’s all laid out, at least to a layman such as I, in what feels like convincingly terse terms, perhaps with a great deal of gratitude owed to the YouTuber and astrophysicist Scott Manley who advised on the script, helping Penna and co-writer Ryan Morrison nail the specifics. Despite some sly strings early on in Hauschka’s moody score suggesting otherwise, Penna chooses not to take us into Hitchcockian psychological thriller territory and instead keeps us firmly in the realm of so-called “hard sci-fi”, as the crew is forced to confront the logistics of a devastating dilemma with time not on their side.
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